The monologue you read and watched from Henry V begins with the Chorus wishing for things O for a muse of fire and so on
The monologue you read and watched from Henry V begins with the Chorus wishing for things O for a muse
The monologue you read and watched from Henry V begins with the Chorus wishing for
watched from Henry V begins with the Chorus wishing for things O for a muse of fire and so on
The monologue you read and watched from Henry V begins with the
Chorus wishing for things O for a muse of fire and so on
The monologue you read and watched from Henry V begins
The monologue you read and
The monologue you read and watched from Henry V begins with the Chorus wishing for things"O for a muse of fire," and so on.

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The monologue you read and watched from Henry V begins with the Chorus wishing for things—"O for a muse of fire," and so on. Explain what this Chorus—who of course speaks on behalf of the play's author—is saying about the limitations of theatrical performance. Do Shakespeare's ideas still hold true when we're talking about filmed dramatic performances? And how does the filmed version of it seen here support or refute these ideas?

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The monologue you read and watched from Henry V begins with the Chorus wishing for things"O for a muse of fire," and so on.